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Kashmiri Shawl, 2011, (view of front), 129.54x256.54 cm, pashmina shawl and gold-plated steel pins, courtesy of the artist
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Kashmiri Shawl, 2011, Site-specific installation, pashmina scarf and gold plated steel pins, commissioned by Sharjah Art Foundation, detail, photo by Plamen Galabov
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Kashmiri Shawl, 2011, Site-specific installation, pashmina scarf and gold plated steel pins, commissioned by Sharjah Art Foundation, detail, photo by Alfredo Rubio
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Kashmiri Shawl, 2011, Site-specific installation, pashmina scarf and gold plated steel pins, commissioned by Sharjah Art Foundation, detail, photo by Alfredo Rubio
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Kashmiri Shawl, 2011, Site-specific installation, pashmina scarf and gold plated steel pins, commissioned by Sharjah Art Foundation, detail, photo by Maryam Al Qassimi
Kashmiri Shawl, 2011, Site-specific installation, pashmina scarf and gold plated steel pins, commissioned by Sharjah Art Foundation, Installation view, photo by Alfredo Rubio
Project Description
Through Aisha Khalid’s labour-intensive process of inserting pins through a layer
of two shawls, Kashmiri Shawl inspires contradictory responses. On one side, the
heavily worked paisley and floral design offers a scene of luxurious detail. The
backside tells a different story – staggered and unbound by the pin’s head, sharp tips
protrude from the red wool to reveal a hazardous surface. The work draws attention
to what Khalid views as a disparity between the global consumption of shawls from
this region and the lack of attention placed on its geopolitical realities.
April 2011
