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The Telephone Books (or the Recipe Books) fig. 1-8, 2010, colour C-print, 7 black and white silver gelatine prints, 150x120cm each, Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg and Polaris, Paris, Produced by Sharjah Art Foundation, Installation view, photo by Alfredo Rubio
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The Telephone Books (or the Recipe Books) fig. 1-8, 2010, colour C-print, 7 black and white silver gelatine prints, 150x120cm each, Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg and Polaris, Paris, Produced by Sharjah Art Foundation, Installation view, photo by Plamen Galabov
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The Telephone Books (or the Recipe Books) fig. 1-8, 2010, colour C-print, 7 black and white silver gelatine prints, 150x120cm each, Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg and Polaris, Paris, Produced by Sharjah Art Foundation, Installation view, photo by Alfredo Rubio
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The Telephone Books (or the Recipe Books) fig. 1-8, 2010, colour C-print, 7 black and white silver gelatine prints, 150x120cm each, Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg and Polaris, Paris, Produced by Sharjah Art Foundation, Installation view, photo by Alfredo Rubio
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The Telephone Books (or the Recipe Books) fig. 1-8, 2010, colour C-print, 7 black and white silver gelatine prints, 150x120cm each, Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg and Polaris, Paris, Produced by Sharjah Art Foundation, Installation view, photo by Amina Khansaheb
The Telephone Books (or the Recipe Books) fig. 1-8, 2010, colour C-print, 7 black and white silver gelatine prints, 150x120cm each, Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg and Polaris, Paris, Produced by Sharjah Art Foundation
Project Description
'These are the notebooks of Z.A.B. She was my grandmother and was illiterate. She
gave birth to twelve children, of whom ten lived. To keep in touch with them all she
made herself a telephone directory from an old recipe notebook. To identify each
family member, she made a coded drawing: the one with spectacles, the one with
four sons. The corresponding telephone numbers were recorded as a series of little
lines, which today recalls the ones and zeroes of binary computer language. She had
someone else write the name as well.'
Yto Barrada
Courtesy of the artist, Sfeir-Semler Gallery, Beirut/Hamburg, and Polaris, Paris.
Produced by Sharjah Art Foundation
April 2011
