Winners of first PARA fellowship programme (From left) Samantha Del Castillo; Wabwire Ian Joseph; Youyou Wang; Le Huu Hoang Anh; and Adwait Singh. Image courtesy of Sharjah Art Foundation
Sharjah Art Foundation is pleased to announce the recipients of the first edition of PARA, a fellowship programme for emerging and mid-career art writers living and working in Asia and Africa, developed in collaboration with Alkazi Foundation for the Arts, Asia Art Archive and Contemporary And (C&).
The open call received 235 applications, with submissions coming from a range of countries across Asia and Africa, including India, Egypt, UAE, South Africa, Pakistan, Indonesia, Saudi Arabia, Iran, Nigeria, Philippines, Singapore and South Korea.
The recipients of the fellowship are: Adwait Singh (Agra, India); Le Huu Hoang Anh (Ho Chi Minh City, Vietnam and Taipei, Taiwan); Samantha Del Castillo (Caloocan City, Philippines); Wabwire Ian Joseph (Kampala, Uganda); and Youyou Wang (Beijing, China).
The selected fellows will benefit from one-on-one sessions with five mentors from the fields of art criticism, history, curation, publishing, cultural theory, teaching and journalism, namely Charis Poon, Kaelen Wilson-Goldie, Nada Shabout, Russel Hlongwane and Sabih Ahmed.
As well as the mentoring sessions, the five fellows will receive a range of material, communal and institutional support. The original texts they submitted will be published in a compilation, and they will develop a new piece of art criticism which will be included in an anthology. Additionally, they will be hosted in Sharjah for a week-long programme of visits, workshops and peer-led gatherings, as well as be offered the opportunity to foster transnational networks through collaborations with other cultural practitioners.
About the fellows
Adwait Singh is an independent curator and writer from Agra, India. Devoted to contextualising alternative practices in South Asia, their work probes the intersection of ecology, animism, subjectivity formation and biopolitics. Notable recent curations include the fifth edition of the Mardin Biennial (Mardin, 2022) and the 15th edition of the Queer Arts Festival (Vancouver, 2022).
Le Huu Hoang Anh, based between Ho Chi Minh City, Vietnam and Taipei, Taiwan, is an aspiring art historian and researcher. She is currently pursuing an MA in Critical and Curatorial Studies of Contemporary Art at the National Taipei University of Education. Her research inhabits the intersections of contemporary art, craft and the environment, with an emphasis on the regional as well as historical specificities of Southeast Asia.
Samantha Del Castillo is a writer and activist based in Caloocan City, Philippines. She was associate editor of the newspaper Philippine Collegian. In 2023, she won the Purita Kalaw-Ledesma Prize for Art Criticism, which granted her a column in ArtAsiaPacific. She is pursuing an MSc in Media, Culture and Society at the University of Glasgow.
Wabwire Ian Joseph is a cultural strategist, creative producer and writer based in Kampala, Uganda. As a contributor to ArtNews, Artsy and policy journals, his writing spotlights contemporary African artist and reflects a deep commitment to decolonial narratives. He co-founded the Culture & Art Community Impact Fund Africa (CACIFA) and leads and designs programmes for KQ Hub Africa.
Youyou Wang is an art historian, writer and curator of public practice at the UCCA Center for Contemporary Art in Beijing, China. Wang’s critical practice interrogates modes of perception and articulates alternative art-historical narratives. She holds an MA in History of Art from the Courtauld Institute of Art.
About the mentors
Charis Poon is an artist and educator who makes zines and audio pieces, draws comics and writes. She teaches Social Design at the Hong Kong PolyU School of Design where she experiments with how teaching and learning happen. Her practice considers poetics in communication, learning through making, slow growth and collective endeavours.
Kaelen Wilson-Goldie is a writer and critic and the author of Etel Adnan (2018) and Beautiful, Gruesome, and True: Artists at Work in the Face of War (2022). She has written for Artforum, Frieze, Aperture, Mousse, Bookforum, Afterall, Parkett, 4Columns, E-Flux Criticism, Art Journal, ARTMargins, The Village Voice, and The New York Times, among other publications.
Nada Shabout is a Regents Professor of Art History and the Coordinator of the Contemporary Arab and Muslim Cultural Studies Initiative (CAMCSI) at the University of North Texas. She is currently a Visiting Professor of Art History and a Senior Investigator at al Mawrid Arab Center for the Study of art at New York University Abu Dhabi (NYUAD).
Russel Hlongwane is a cultural producer from Durban, South Africa. His work enquires about the effects of heritage, modernity, culture and tradition on Black life (in South Africa). He works in the modes of artistic research, cultural production, performance, design theory, writing, film and curatorship.
Sabih Ahmed is a curator, culture theorist and educator. His work focuses on modern and contemporary art mapped through global itineraries and inter-disciplinary formations. Sabih is the Co-Artistic Director of the Diriyah Contemporary Art Biennale 2026 with Nora Razian and serves as a Projects Advisor at the Ishara Art Foundation, Dubai.
About the jury
In its inaugural year the jury comprised members of all four partner organisations: Rahaab Allana from Alkazi Foundation for the Arts, Paul C. Fermin from Asia Art Archive, Yvette Mutumba from Contemporary And (C&) and Jyoti Dhar from Sharjah Art Foundation.
Jury statement
We were thrilled by the remarkable range of applications submitted in PARA’s inaugural year—a clear signal of the urgency and necessity of supporting alternative, inquiring, speculative and personal writing from Asia and Africa. The shortlisted fellows’ texts were rigorous in their theoretical arguments; deft, sharp and compelling in terms of their formulation; and critically astute in how they centred artistic practices and processes. Selected fellows also privileged storytelling as well as the joy and pleasure inherent in the act of reading and writing. The finalists signalled an openness to experimenting with form and a willingness to collaborate and build on their practices in a sustained manner. This year’s cohort includes cultural strategists and activists, practitioners interrogating climate change and shifting technologies as well as writers attuned to institutional critique and decolonial narratives. We believe PARA will serve as a vital space for them to deepen and expand the questions they are already pursuing in their local contexts—while also engaging with the transcontinental networks and interdisciplinary resources that the programme offers.
For further information about the fellowship programme, visit sharjahart.org.
Sharjah Art Foundation is an advocate, catalyst and producer of contemporary art within the Emirate of Sharjah and the surrounding region, in dialogue with the international arts community. The Foundation advances an experimental and wide-ranging programmatic model that supports the production and presentation of contemporary art, preserves and celebrates the distinct culture of the region and encourages a shared understanding of the transformational role of art. The Foundation’s core initiatives include the long-running Sharjah Biennial, featuring contemporary artists from around the world; the annual March Meeting, a convening of international arts professionals and artists; grants and residencies for artists, curators and cultural producers; ambitious and experimental commissions and a range of travelling exhibitions and scholarly publications.
Established in 2009 to expand programmes beyond the Sharjah Biennial, which launched in 1993, the Foundation is a critical resource for artists and cultural organisations in the Gulf and a conduit for local, regional and international developments in contemporary art. The Foundation’s deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year-round exhibitions, performances, screenings and educational programmes in the city of Sharjah and across the Emirate, often hosted in historic buildings that have been repurposed as cultural and community centres. A growing collection reflects the Foundation’s support of contemporary artists in the realisation of new work and its recognition of the contributions made by pioneering modern artists from the region and around the world.
Sharjah Art Foundation is a legally independent public body established by Emiri Decree and supported by government funding, grants from national and international nonprofits and cultural organisations, corporate sponsors and individual patrons. Hoor Al Qasimi serves as President and Director. All exhibitions are free and open to the public.
The Alkazi Foundation for the Arts (AFA) is a Registered Charitable Trust based in New Delhi (India) since 2006. Over the years, AFA has been committed to sharing research on the humanities with a focus on fine art, photography and theatre. Through a series of scholarly publications, exhibitions, seminars, conferences, workshops, newsletters, blogs and archive visits, AFA has concentrated extensively on the interlinked subjects of the ‘metropole’, the ‘colony’, and the 'contemporary' via anthropology, image studies as well as art criticism, thereby exploring cultural histories of South Asia from the pre-and-post Independence period.
Asia Art Archive (AAA) is an independent non-profit organisation initiated in 2000 in response to the urgent need to document and make accessible the multiple recent histories of art in the region. With one of the most valuable collections of material on art freely available from its website and onsite library, AAA builds tools and communities to collectively expand knowledge through research, residency, educational programmes, and publications.
Contemporary And (C&) is a platform reflecting and connecting ideas and discourses on contemporary arts in Africa and the Global Diaspora. With its work being deeply rooted in a constantly growing network of creative voices from all over the world, C& publishes two magazines, facilitates educational formats, and develops projects online, offline and in-between.
Sharjah is the third largest of the seven United Arab Emirates, and the only one bridging the Arabian Gulf and the Gulf of Oman. Reflecting the deep commitment to the arts, architectural preservation and cultural education embraced by its ruler, Sheikh Dr Sultan bin Mohammad Al Qasimi, Sharjah is home to more than 20 museums and has long been known as the cultural hub of the United Arab Emirates. It was named UNESCO's Arab Capital of Culture for 1998 and the UNESCO World Book Capital for 2019.
Alyazeyah Al Marri
alyazeyah@sharjahart.org
+971 (0)6 5444113
Winners of first PARA fellowship programme (From left) Samantha Del Castillo; Wabwire Ian Joseph; Youyou Wang; Le Huu Hoang Anh; and Adwait Singh. Image courtesy of Sharjah Art Foundation